Commissions told from the first conversation to the finished instrument, plus the woods, the finishes and the bench they come from.
Imagined
2 Jan 2027
Mr. Guitar made the deep register sophisticated. The baritone his style points to.
Read the story →
Imagined
27 Dec 2026
He made the bass sing. The passive Bacci his sound points to, fretted or fretless.
Read the story →
Imagined
21 Dec 2026
Motown, flatwounds, a passive Precision. The Marleo recipe, almost to the letter.
Read the story →
Imagined
18 Dec 2026
Chord-melody, with the bass line finally given its own voice.
Read the story →
Imagined
15 Dec 2026
The King of Twang made the low strings a lead voice. The baritone was his home.
Read the story →
Imagined
12 Dec 2026
The father of electric jazz guitar, and the pickup that still bears his name.
Read the story →
The baritone
10 Dec 2026
What gauges to use for B and A standard, and why heavier strings matter.
Read the story →
The baritone
7 Dec 2026
B standard, A standard and drop tunings, and why scale keeps the low note tight.
Read the story →
The baritone
4 Dec 2026
Matteo Mancuso, the Paul Gilbert solo Guitar World crowned best of 2024, his two Baccis.
Read the story →
Signature
30 Nov 2026
Why Michael League plays the Amrita, built from worm-eaten alder.
Read the story →
The sound
26 Nov 2026
Flatwounds, roundwounds, and where the old P-bass sound comes from.
Read the story →
The bass
23 Nov 2026
32-inch vs 34-inch, and why the low B still stays a note.
Read the story →
The maker
19 Nov 2026
What makes a guitar handmade, and what the price really buys.
Read the story →
Commissions
16 Nov 2026
Ordering a handmade guitar or bass, step by step with Bruno.
Read the story →
The woods
12 Nov 2026
Does wood change an electric's tone? Where it matters, and why.
Read the story →
Design
9 Nov 2026
Hollow, semi-hollow or solid, and how the Tosca resonates.
Read the story →
The bass
6 Nov 2026
What the difference really is, and why the Marleo is passive.
Read the story →
Extended range
4 Nov 2026
Scale length versus an extra string, and how to choose.
Read the story →
The rare ones
4 Nov 2026
A sliding, singing voice in the deepest register.
Read the story →
Finishes
4 Nov 2026
Art finishes, from 1970s Parato to grain-led Art of Nature.
Read the story →
Buying guide
4 Nov 2026
What the extra cost of a handmade baritone actually buys.
Read the story →
Buying guide
4 Nov 2026
The funk and fusion buying guide the metal lists forget.
Read the story →
Made in Tuscany
4 Nov 2026
Inside the small world of Italian handmade electric guitars.
Read the story →
Explained
4 Nov 2026
Three low instruments, clearly explained.
Read the story →
Boutique bass
4 Nov 2026
What the extra cost of a boutique bass actually buys.
Read the story →
Should you?
4 Nov 2026
Who it is genuinely for, and who should save their money.
Read the story →
Scale & tension
4 Nov 2026
Scale length, string tension, and the tight low end.
Read the story →
The players
5 Nov 2026
Bass, chords, melody and percussion, from one guitar.
Read the story →
The dual output
3 Nov 2026
What a dual-output guitar is, and three ways to use the Leonardo.
Read the story →
Design
12 Nov 2026
Ten years and eight prototypes behind the fully hollow Tosca.
Read the story →
In Tuscany
5 Nov 2026
What the Bacci Experience actually looks like, from the airport to the table.
Read the story →
How it plays
1 Nov 2026
The same part across a guitar, a baritone and the Leonardo's dual output.
Read the story →
In the studio
29 Oct 2026
Three ways to route the Leonardo's guitar and bass voices when you record.
Read the story →
From the workshop
29 Oct 2026
A Bacci starts in a timber store, not at the bench. Bruno went looking with Joe Glaser.
Read the story →
A commission
28 Oct 2026
Derek Frank tried a Marleo at NAMM, then flew to Tuscany to specify his own.
Read the story →Nothing here is in stock, and nothing ever will be. Every instrument is claimed by one player before the first cut.
A deposit, a call with Jo, then the specification written down together, one choice at a time.