Move a jazz vocabulary down into the baritone register and the harmony gains body while the lines keep their clarity. Chord-melody suddenly has its own bass.
In modern jazz the baritone is a voicing machine. Extended chords, drop-2 shapes and walking movement all sit in a warmer, fuller register, and because a Bacci keeps the low end defined, complex harmony stays legible instead of blurring together.
It changes how you phrase. Single-note lines gain weight and vocal quality low down, chord-melody carries its own foundation, and a solo guitar performance sounds complete on its own.
With the dual output you can take that literally: guitar and bass, two independent signals from a single instrument.
When I play it, I don’t really miss the bass player.
Matteo Mancuso · on the Bacci baritone
The dual-output baritone. Guitar and bass, two independent outputs from one neck.
The Dual Output Story →The signature solid-body baritone, played by Cory Wong, Mark Lettieri and Munky.
Explore Officina →Tonal-chamber and semi-hollow baritones in solid Italian tonewoods.
Explore Art of Nature →
Bruno Bacci is a Tuscan luthier with a background in metallurgy, woodworking and design. A guitarist first, he became a builder after a hand injury and trained at the violin-making school of Cremona, where Stradivari had worked three centuries earlier.
He does not begin with a shape. He begins with the sound he wants to hear and builds the instrument around it, testing each piece of wood by hand as though in conversation with it. Every Bacci is made individually and is backed for life by Bruno himself.
His first guitar, a Telecaster he built as a young man, carried no name. He could not write Fender because it was not their instrument. He could not write Bacci because it was not his design either. That is why he began creating instruments that could only be his.
On the bench this week: the hollow top of Tosca №06, and a Marlita in Ceruleo being voiced for a player in Tokyo.




























Put flats on it and it sounds like an old P bass. Put round-wounds on it and there’s a lot of bite.
The amount of low end and even saturation coming from this bass is insane.
When I play it, I don’t really miss the bass player.
This is a funk machine, it nails the baritone funk rhythm sound.
The precision bass for the modern era. Everything I love about vintage basses, with all the innovation of a modern one.
I’ve never found anything like this. The shape, the sound, the playability, everything is really in the right place.
Bruno’s baritone guitars are inspiring a whole generation of top players, he’s developing a whole new musical canon.
Put flats on it and it sounds like an old P bass. Put round-wounds on it and there’s a lot of bite.
The amount of low end and even saturation coming from this bass is insane.
When I play it, I don’t really miss the bass player.
This is a funk machine, it nails the baritone funk rhythm sound.
The precision bass for the modern era. Everything I love about vintage basses, with all the innovation of a modern one.
I’ve never found anything like this. The shape, the sound, the playability, everything is really in the right place.
Bruno’s baritone guitars are inspiring a whole generation of top players, he’s developing a whole new musical canon.
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▶A short, hand picked network of shops keeps Bacci on the wall.
Go and play one in person, or start a custom build directly with Bruno in Tuscany.
Austin Guitar House
Chicago Music Exchange
Eddie’s Guitars
Empire Music
Guitars Etc
Heartbreaker Guitars
Lead Music
Music Store Live
Musikhaus André Louis
Pitbull AudioVery well. The lower register gives chord-melody its own bass foundation, so a solo arrangement sounds full without accompaniment.
Not on a Bacci. The longer scale and careful build keep even dense voicings clear and defined.
Matteo Mancuso, widely called one of the best guitarists in the world, plays and praises the Bacci baritone.
In many settings, yes. Mancuso said he doesn't miss the bass player, and the Bacci dual output makes guitar-plus-bass from one instrument literal.
Commissions
Nothing here is in stock, and nothing ever will be.
Every instrument is claimed by one player before the first cut.
A €1,000 deposit holds your place at the bench and sets the work in motion. It comes off the price in full.
Woods, pickups, finish, decided one by one, together. The instrument is drawn around you.
The balance falls due once the specification is closed. Eight months later, it is in your hands.
Not sure which instrument is yours?
Ask before you commit.